Published on Apr 7, 2017 once upon a synth 'How to make a bass patch from scratch on the Dave Smith Instruments Pro 2 synthesizer. We're not going after a specific bass patch but we'll get into a general bass territory from which you can sculpt your own.

FAT FREEBASS FB383 / MAM MB33 mkI / next! SPACEBASS 3.3 / x0x RACK - Acid FM MODS: £85 (installed). For those of you who don't have a ridiculous amount of spare cash kicking around for a real TB303 (and we're willing to bet that's most of you) the Freebass or MB33 is a very close substitute, the only drawbacks being that '303' is all it really does and the filter kind of loses it with the.

The basic concept is to have a software wave in the lower register, a richer wave a couple octave higher, an 'organ'-style VCA envelope and a plucky filter envelope. We then explore adding things like hack, decimator, drive and distortion and finally play around with the sequencer.' Published on Apr 6, 2017 Amateur Hour 'Byron Scullin and Robin Fox from synth wonderland M.E.S.S. Talk to us about their amazing collection of vintage synths and the community they're building around them!

Get amongst it! AH SPOTLIGHT INTERVIEW (as seen on amateurhour.tv) Guest: Byron Scullin and Robin Fox (M.E.S.S.) Camera: Harry Aronsten Boom Swinger/Sound: Kelly Dingeldei Producer: Laura Imbruglia Production Assistant: Bron Belcher Interviewer: Laura Imbruglia Editor: Kelly Dingeldei BRANDING: AH Logo: Stacy Gougoulis and Jill Chrisp AH Titles: FloodSlicer AH Theme: Red Ghost MUSIC CREDITS: Instrumental synth pieces performed by Robin Fox and Byron Scullin More about M.E.S.S.: http://mess.foundation/'. 'The C103 is a module that combines two frequency dividers and two frequency multipliers. Keygen for mac. This new MKII version, adds a lot of functionality to the original design.

It has four built in mixers, new individual outputs and new voltage controlled distortion circuit with independent output. Additionally each divider and multiplier stage has his own level potentiometer. The C103 MKII can be used in many different ways: As subctave Generator To create complex and rich sounds from a simple waveform. To create synchronized modulations As a clock divider As frequency multiplier To create complex modulation signals As a voltage controlled distortion unit As pattern generator This new version retains the same functionality than the original C103 using the Switched mixer but it goes one step further. Thanks to the new level potentiometers, the divider and the multiplier of each stage can have different signal levels.

You can find more info, pictures and audio demos here: '. Via 'FB 383 offers all the same basic sounds and controls as the original TB-303 in a 1-unit rack module. It has just 8 basic knobs for the same basic 303-like control: tune, filter cutoff, resonance, envmod, accent and decay. Unlike the 303 however, the oscillator can be varied from sawtooth to square from a knob on the front! Also featured is an external audio input to the filter for processing other elements.

The Freeform Analogue Technologies (FAT) Freebass FB383 (also sold as the MAM MB33) is a 1U 19-inch rack-mounting MIDI synthesizer module dedicated to doing just one thing - imitating the sounds of the Roland TB-303 Bassline. Torrent airbus xtreme prologue canterbury park. It uses genuine analogue technology to produce the familiar 'acid' sounds, but adds MIDI control, so you don't have to cope with the Roland's quirky programming system - just hook up the Freebass to your MIDI sequencer, and play away. Dispensing with fripperies such as patch memories and continuous controllers, the Freebass is all about live performance - once you start twiddling those knobs in real time, you'll be lost in a world of acid madness. Features include MIDI input, selectable MIDI channel using DIP switches, an audio input for routing eternal sources through the Freebass filter, a single mono output, Auto-tune function, and controls for Tune, Wave (variable between square and sawtooth, so actually capable of a wider range of sounds than the Bassline), Filter Cutoff, Filter Resonance, Envelope Modulation Amount, VCA/VCF Accent (triggered when MIDI velocity signal is above a certain level), Envelope Decay and Master Volume.'